{"id":1248,"date":"2022-06-16T01:33:42","date_gmt":"2022-06-15T23:33:42","guid":{"rendered":"https:\/\/regardsdugrandparis.fr\/pierres-sans-repit\/"},"modified":"2022-06-27T15:19:27","modified_gmt":"2022-06-27T13:19:27","slug":"pierres-sans-repit","status":"publish","type":"page","link":"https:\/\/regardsdugrandparis.fr\/en\/evenements\/pierres-sans-repit\/","title":{"rendered":"Pierres sans r\u00e9pit (Relentless stones)"},"content":{"rendered":"\n<p>ln an unprecedented collaboration, the artists Luise Schr\u00f6der and Chedly Atallah interweave their practices around personal and collective memories through the prism of stone. Stones are considered symbols of longevity, hardness and solidity, but here it is the erosion of stories, a witness to the past and raw material for a multitude of different futures. The artists observe the stones as metaphors of stories piling up in a continuous work site. Ranging from occasional phenomena to major upheavals, these memories are destructions, renovations, resistances, gentrifications, extensions of fictional and real territoiries\u2026<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/expo2022.ateliersmedicis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-683x1024.jpg\" alt=\"\" class=\"wp-image-927\" width=\"-205\" height=\"-307\" srcset=\"https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-683x1024.jpg 683w, https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-200x300.jpg 200w, https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-768x1152.jpg 768w, https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-1024x1536.jpg 1024w, https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-1366x2048.jpg 1366w, https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-400x600.jpg 400w, https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-800x1200.jpg 800w, https:\/\/regardsdugrandparis.fr\/wp-content\/uploads\/2022\/06\/Final_Schroeder_Atallah_Livredexpo-scaled.jpg 1707w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><figcaption>Luise Schr\u00f6der \/ Chedly Atallah, Pierres sans r\u00e9pit, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Invited to do a research and creation residency at the Ateliers M\u00e9dicis for the exhbition <em>Regards du Grand Paris<\/em>, Luise Schr\u00f6der, artist photographer, in turn invited Chedly Atallah, an artist and architect. The two of them walked the grounds and the underground areas of Clichy-sous-Bois\/ Montfermeil, examining the smallest clues to dig into and discover the collective and intimate stories of the many power and territorial struggles \u2013 from here, from other places, from afar or from next door, from yesterday and tomorrow, political, love-lorn\u2026 A cosmogonic story emerges, involving proof \u2013 the artists looking at the stones as a scientist might dissect a body to understand certain things \u2013 and involving stories, fabulation or, what we call &#8220;narrative speculation.&#8221; Facing the violence in the world and the testing of existences or of the truth, the artists invent \u2011\u2011 to fill in, to re\u2011establish, even to continue exploring new, more equitable relationships. For them it is about rewriting history, so that yesterday&#8217;s battles reinforce us, facing those which are remain on the horizon, those we still need to fight.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>The photographic installation <em>Pierres sans r\u00e9pit<\/em> (<em>Relentless stones)<\/em> can be found on the construction site for the station of the future metro Clichy-Montfermeil (line 16).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ln an unprecedented collaboration, the artists Luise Schr\u00f6der and Chedly Atallah interweave their practices around personal and collective memories through the prism of stone. Stones are considered symbols of longevity, hardness and solidity, but here it is the erosion of stories, a witness to the past and raw material for a multitude of different futures. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":1266,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1248","page","type-page","status-publish","hentry","missing-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Pierres sans r\u00e9pit (Relentless stones) &#8212; Regards du Grand Paris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/regardsdugrandparis.fr\/en\/evenements\/pierres-sans-repit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pierres sans r\u00e9pit (Relentless stones) &#8212; Regards du Grand Paris\" \/>\n<meta property=\"og:description\" content=\"ln an unprecedented collaboration, the artists Luise Schr\u00f6der and Chedly Atallah interweave their practices around personal and collective memories through the prism of stone. Stones are considered symbols of longevity, hardness and solidity, but here it is the erosion of stories, a witness to the past and raw material for a multitude of different futures. 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